Skip to main content

THE BASTARD OF ISTANBUL

"Because time is a drop in the ocean, and you cannot measure off one drop against another to see which one is bigger, which one is smaller."

THE BASTARD OF ISTANBUL
BY ELIF SHAFAK

The Bastard of Istanbul is a 2006 novel by Elif Shafak, written originally in English and published by Viking Adult. It was translated by Aslı Biçen into her native language Turkish under the title Baba ve Piç in March 2006, and became a bestseller. The story is centered around the characters of Asya Kazancı and Armanoush Tchakhmakhchian. It is set in Tucson, Arizona; San Francisco, California; and Istanbul, Turkey. The novel deals with their families and how they are connected through the events of the 1915 Armenian genocide. At age nineteen, Armanoush travels secretly to Istanbul to search for her Armenian roots.

THE BASTARD OF ISTANBUL SUMMARY OF KEY IDEAS

THE JOURNEY TO UNCOVER FAMILY SECRETS;
In The Bastard of Istanbul by Elif Shafak, we are taken on a journey to uncover family secrets and the complex history of two families, the Kazanci and the Tchakhmakhchian. The story begins with Zeliha, a Turkish woman who has four daughters, each with a unique personality and a malevolent curse that leads to the death of any man who dares to love them. 

One of Zeliha's daughters, Asya, is a rebellious teenager who lives with her aunts and grandmother in the Kazanci household. The Kazanci family is a matriarchal one, marked by the absence of men and a series of unconventional women who have unique traits and stories. Asya's life takes a turn when her cousin, Armanoush, arrives from Arizona, USA, to explore her Armenian roots.

UNRAVELING THE PAST:
Armanoush, who prefers to be called Amy, is the illegitimate daughter of Zeliha's estranged sister, Rose. The Tchakhmakhchian family, Amy's maternal side, has been deeply affected by the Armenian genocide, and Amy's quest is to understand her heritage. As the two girls get to know each other, they begin to unravel their family's tangled past, leading them to the heart of their shared history - the Armenian genocide.

Throughout the book, Shafak artfully weaves the history of the Armenian genocide with the present-day lives of her characters. She explores the trauma and its lasting impact on the Armenian community and the strained relations between the Armenian and Turkish people. The novel delves deep into the politics of memory, historical denial, and the quest for truth and reconciliation.

CONFRONTING THE PAST:
As Amy and Asya learn about their shared history, they confront the weight of their ancestors' actions. The two young women, despite their cultural differences, find common ground in their shared experiences of living with the burden of a painful past. They begin to understand the importance of acknowledging and learning from history, rather than letting it divide them.

Meanwhile, the Kazanci family is going through its own turmoil. The women's unique traits, which have been attributed to the family curse, are re-evaluated. They start to see their differences as strengths, rather than weaknesses, and begin to break free from the constraints of their past. As the story progresses, the characters grow and evolve, challenging traditional gender roles and societal expectations.

PEACE THROUGH UNDERSTANDING:
In the end, The Bastard of Istanbul is a story about the power of understanding and forgiveness. It teaches us that only by confronting and accepting our past can we hope to move forward. Despite the weight of history, the novel ends on a hopeful note, suggesting that peace and reconciliation are possible when we acknowledge our shared humanity.

Elif Shafak's The Bastard of Istanbul is a rich and deeply moving novel that beautifully captures the complexities of family, culture, and history. It is a poignant reminder of the importance of understanding our past, not just for individual healing, but for the greater good of humanity.
                    
                               **********************

THEATRE ADAPTATION:

The novel was adapted into a theatre play in Italian language by Angelo Savelli titled La Bastarda Di Istanbul, and was staged by Teatro di Rifredi in Florence, Italy. Its premiere took place on March 3, 2015, starring Turkish actress Serra Yılmaz.

Comments

Popular posts from this blog

Helen Mirren once said: Before you argue with someone, ask yourself.......

Helen Mirren once said: Before you argue with someone, ask yourself, is that person even mentally mature enough to grasp the concept of a different perspective. Because if not, there's absolutely no point. Not every argument is worth your energy. Sometimes, no matter how clearly you express yourself, the other person isn’t listening to understand—they’re listening to react. They’re stuck in their own perspective, unwilling to consider another viewpoint, and engaging with them only drains you. There’s a difference between a healthy discussion and a pointless debate. A conversation with someone who is open-minded, who values growth and understanding, can be enlightening—even if you don’t agree. But trying to reason with someone who refuses to see beyond their own beliefs? That’s like talking to a wall. No matter how much logic or truth you present, they will twist, deflect, or dismiss your words, not because you’re wrong, but because they’re unwilling to see another side. Maturity is...

Why BJP is opposing the Telangana caste census?

The BJP opposes the Telangana caste census primarily due to concerns about its political motivations, alleging that the Congress party is using it for electoral gain rather than genuine welfare of Backward Classes (BCs)  1 3 .  BJP leaders argue that the census distracts from Congress's unfulfilled promises to BCs and could exacerbate social divisions  2 4 .  Additionally, there are fears within the BJP that a detailed caste enumeration might reveal ongoing upper-caste dominance in politics and society, which could challenge their support base  7 8 . The BJP's main arguments against the caste census include: Political Manipulation : BJP leaders assert that the Congress party is using the caste census for political advantage rather than for the welfare of Backward Classes (BCs), claiming it distracts from unfulfilled promises made to these communities  2 4 . Threat to Hindutva Agenda : The party views the census as a potential challenge to its support base a...

JAI HIND: WHO DO WE OWE IT TO?

Though the origin of Jai Hind is usually ascribed to Chempakaraman  Pillai in 1907, it didn’t have a popular usage till Netaji Bose made it the standard greeting of the INA. How this happened to be has a Hyderabad connection. It is believed by Netaji’s close followers that the slogan "Jai Hind" as coined by Abid Hasan Safrani.   Abid Hasan Safrani  was the son of the soil of Hyderabad in India. His real name was Zainul Abedin Hasan. He preferred to be called Abid Hasan. His parents expired during the British Raj. Before that they had sent him to Germany instead of England for higher studies in Engineering stream. During the that time, Netaji Subhas Chandra Bose visited Germany and addressed Indian  prisoners of war & also students and asked them  to join Indian National Army (Azad Hind Fauj). Abid Hasan met him and got inspired by the charisma of Netaji.  He told him that he would join him after finishing his studies. Netaji said tautingly t...